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I envision this timing likely developed throughout the Palladium period however I haven't confirmed that. Eddie Torres started educating and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing instructor, who helped him create his method and timing.
The story I'm regularly told below, that still requires more investigation, is that as salsa started getting to new target markets beyond the Caribbean and New York, it was easier and extra user-friendly to instruct social outsiders to dance On1 rather than On2. This story does not account for the fact that I have actually heard Rueda de Online casino was originally danced a tiempo On3 in Cuba.
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Salsa On1 is simply among numerous salsa timings you can dance to and it is one of the most common timing you'll find worldwide today. Salsa On1 timing definition: "On1" means you start dancing on the first beat of bench of songs the 1. Your break actions (instructions modifications) get on beats 1 and 5.
The exceptions I've found until now, where On2 is most common, would certainly be around New york city and in South Korea (Bachata San Francisco). I'm certain there are various other areas that dance primarily On2 however I haven't danced in every nation! If you're unsure what timing is most typical where you live, ask your regional dance workshop
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When somebody says "I dance salsa On1" they possibly imply "I dance straight style salsa On1" (although you can dance any design of salsa On1, people normally imply straight style). Do not worry if you have actually said these points before, it's all excellent we all have! The vital thing is to bear in mind there's a difference in between style and timing and strengthen your understanding so you can be more precise when discussing salsa with your friends.
It attaches nicely with the phrasing in the songs, especially the piano, and various other percussion instruments like the cow bell and giro. Timing and style are two different points, so different the concepts when you talk about salsa with your good friends. No matter of what timing is most common in your area of the world, remember you can technically dance any type of design of salsa to any kind of timing discover and enjoy!
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There is an initial mambo dance that came from Cuba and then spread out to Mexico and New York in the 40s and 50s, these days when a person states "I dance mambo" they indicate salsa On2, which is different than the original mambo dancing. The erratic free-from steps of the original mambo were danced solo.
And that's what we describe as mambo or salsa on2 today. As the dancing started to spread, On1 timing started to become preferred. Salsa On2 interpretation: "On2" suggests you begin dancing on the very first beat of the bar of songs the 2. Your break actions (direction changes) get on beats 2 and 6.
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Historically those are the instruments that a son cubano professional dancer gotten in touch with and that was handed down to mambo and salsa. A whole lot of professional dancers delight in dancing On2 for the diverse means you can attach to the songs. This is the original child cubano and mambo timing. Child cubano is the songs and dancing that came before mambo and salsa.
It attaches well to the clave, bass and conga - Salsa San Francisco. Cha-cha is similar to dancing On2 contratiempo but you add the triple step on 4 and 8. Although danced to the same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dancing.
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This timing is practically identical to contratiempo On2 but the actions that are generally on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.
5 rather of 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home setting (on 4. 5 rather of 4) you're dancing syncopated timing. In truth it seems it's frequently danced as kind of a "mistake" for anyone dancing the previous 2 timings.
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No matter, people chat regarding go now it so here it is (https://www.openlearning.com/u/evanmargolin-s6q58g/about/). As discussed earlier, this was the initial analysis of dancing on clave (son clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. They referred to it as "dance on clave" as it was prior to people described it as "dance On2." The idea is to straighten as lots of steps of your basic as feasible with the strikes of the child clave.
The point about music and dance is that there is no right or wrong. There is simply interpretation. You can dance on any kind of timing you like! Normally, people have actually discovered a means to dance on nearly every timing possible to kid and salsa music. Individuals dance On3 for the same factor you dance On1 because it stresses the strong beats of 1-3-5-7.
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Let's consider the beats you dance On1 to: -2-, -6- (solid beats are in strong) Let's check out the beats you dance On3 to: -4-, -8- (solid beats remain in bold) Notice exactly how the solid beats are spaced specifically the very same for On1 and On3? All you do is start stepping On3 instead of On1.
That's why dancing On3 is so typical in Latin America. People either Attempt to dance On1 however begin tipping On3 by crash and it functions out simply penalty, or They do not recognize much about timing and are just interpreting what they hear in the music, based on their experience maturing in a culture with salsa.